LAYLI AND HER RELATED IMAGES IN THE EPISTLES OF ABDURAHMON JAMI AND ALISHER NAVAIY “LAYLI AND MAJNUN”

Authors

  • Aziza Mavlonjonovna AVEZOVA PhD student Tashkent State University of Uzbek Language and Literature Tashkent, Uzbekistan

Keywords:

Sufism, epic, ghazal, image

Abstract

Abdurakhmon Jomi and Alisher Navoi are creators who created unique and unique artistic images in their works. In their works, all the characters, from the main characters to the episodic characters, have individual characters and characteristics, which make a strong aesthetic impression on the reader. Such images encourage the reader to read the work again and again. It is known that the traditions of creating images in classical literature are characterized by repetition in certain circles. However, this repetition is not manifested in direct copying, but in the interpretation of existing images in a new way each time. Traditional artistic images are enriched with new meaning, aesthetic load and ideological interpretation within each period, author and work. This is especially clearly observed in the work of Abdurakhmon Jomi and Alisher Navoi. The article presents a comparative analysis of the image of Layla in the epics of Abdurakhmon Jomi and Alisher Navoi “Layla and Majnun”. Episodic images play an important role in revealing the character and inner experiences of the main characters. In particular, the role of episodic images such as Layla’s mother, nanny, and Layla’s friends in fully expressing the image of Layla is compared. The role of these images in revealing the atmosphere of that period is analyzed.

References

Alisher Navoi. Layli and Majnun. Tamaddun, 2021.

Abdurahmon Jami. Volume Five: Layli and Majnun, The Wisdom of Iskandari. Dushanbe: "Adib", 1988.

Abu Hamid Ghazali. Love and Longing. Zumar Publishing, Tashkent – 2024.

A. Abduqodirov. Navoi and the Doctrine of Wahdat al-Wujud. Khujand – 1995.

Afsahzoda A. Promise and Loyalty // Sadoi Sharq, 1968, No. 8.

Haqqul Ibrohim, Ochilov E. The World of Love and Wonder. Tashkent: "Uzbekistan", 2016.

Alisher Navoi. First Divan (ايلك ديوان). Uzbekistan SSR, Fan Publishing House. Tashkent, 1968, verse 129.

Komilov Najmiddin. Secrets of Tawhid. Gafur Ghulam Literature and Art Publishing House and “Uzbekistan”, Tashkent – 1999.

Komilov Najmiddin. Sufism. Tashkent: “Yozuvchi” Publishing House, 1996.

Maqsud Shaykhzoda. Collected Works. Volume 4: The Sultan of the Kingdom of Ghazals. Gafur Ghulam Literature and Art Publishing House, 1972.

Mullakhojayeva K. Sufi Symbols and Artistic Harmony in Alisher Navoi’s Ghazals (Based on the Divan “Badoe’ al-Bidaya”). PhD Thesis in Philology. Tashkent, 2005.

Qayumov Aziz. Flowers of the Valley of Love. Tashkent: Gafur Ghulam Literature and Art Publishing House, 1985.

Sultonmurod Olim. Love, Lover and Beloved. 1992.

Vahhob Rahmonov. Navoiy Studies in the Independence Period. Volume 12. Tashkent – 2022.

Shaykh Najmiddin Kubro. Sufi Life. Translated by I. Haqqul – Tashkent: Movarounnahr, 2004.

Downloads

Published

2025-11-12

How to Cite

Aziza Mavlonjonovna AVEZOVA. (2025). LAYLI AND HER RELATED IMAGES IN THE EPISTLES OF ABDURAHMON JAMI AND ALISHER NAVAIY “LAYLI AND MAJNUN”. Next Scientists Conferences, 1(01), 122–125. Retrieved from https://nextscientists.com/index.php/science-conf/article/view/868