FROM SOLITUDE TO STEWARDSHIP: IN W. SOMERSET MAUGHAM

Authors

  • Muhiddin Samatov English Language Lecturer, Department of Foreign Languages Qarshi State Technical University, Uzbekistan

Keywords:

W. Somerset Maugham, artist’s vocation, solitude

Abstract

This article reads W. Somerset Maugham’s artist figures as moving from solitude to stewardship—from uncompromising private vocation to ethically charged relations with community. Through narrative distance, moral choice, and institutional pressures (market, criticism, colonial setting), Maugham stages epic scale without romantic consecration, revealing creation as a negotiated responsibility.

References

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Booth, W. C. (1961). The rhetoric of fiction. University of Chicago Press.

Bourdieu, P. (1993). The field of cultural production: Essays on art and literature (R. Johnson, Ed.). Columbia University Press.

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Хамзаева, З. (2025). Толкование женского образа в романе «Бону» с точки зрения декадентства: социальный кризис и противоречие ценностей. Зарубежная лингвистика и лингводидактика, 3(2), 17-22.

Calder, R. Willie: The Life of W. Somerset Maugham (1989).

Meyers, J. Somerset Maugham: A Life (2004).

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Published

2025-10-29

How to Cite

Muhiddin Samatov. (2025). FROM SOLITUDE TO STEWARDSHIP: IN W. SOMERSET MAUGHAM. Next Scientists Conferences, 1(01), 4–7. Retrieved from https://nextscientists.com/index.php/science-conf/article/view/838