COMMUNICATIVE AND CONTEXTUAL FEATURES OF ACTION FILM DIALOGUE: A LINGUISTIC ANALYSIS
Keywords:
Chat communication, communicative structure, greetingAbstract
Action film dialogues exhibit distinctive communicative and contextual characteristics that differentiate them from ordinary conversation. This study analyzes sample dialogues from action movies to identify key linguistic features such as imperative speech acts, elliptical utterances, and genre-specific vocabulary that create a sense of urgency and intensity.
References
Bednarek, M. (2010). The Language of Fictional Television: Drama and Identity. London: Continuum.
Forchini, P. (2012). Movie Language Revisited: Evidence from Multi-Dimensional Analysis and Corpora. Bern: Peter Lang.
Halliday, M. A. K., & Hasan, R. (1976). Cohesion in English. London: Longman.
Kozloff, S. (2000). Overhearing Film Dialogue. Berkeley, CA: University of California Press.
Leech, G. N. (2014). The Pragmatics of Politeness. Oxford: Oxford University Press.
Piazza, R., Bednarek, M., & Rossi, F. (Eds.). (2011). Telecinematic Discourse: Approaches to the Language of Films and Television Series. Amsterdam: John Benjamins.
Quaglio, P. (2009). Television Dialogue: The Sitcom “Friends” vs. Natural Conversation. Amsterdam: John Benjamins.
Searle, J. R. (1979). Expression and Meaning: Studies in the Theory of Speech Acts. Cambridge: Cambridge University Press.
The Film Analyzed:
Bay, M. (Director). (1995). Bad Boys [Film]. Los Angeles, CA: Don Simpson/Jerry Bruckheimer Films.